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Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post

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Last updated 10 março 2025
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
There is no exit from Francis Bacon’s early masterpiece “Painting, 1946,” a response to the horrors of WWII.
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
The New Yorker - November 14, 2022
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
DVD and Blu-Ray Archives - Filmuforia
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
All-Electric” Narratives: Time-Saving Appliances and Domesticity in American Literature, 1945–2020 9781501367359, 9781501367380, 9781501367373
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
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Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
OUR BODIES
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
Francis Bacon Artist: Understanding the Raw Emotions of Post-War Painter
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
Francis Bacon Artist: Understanding the Raw Emotions of Post-War Painter
Francis Bacon's 'Painting, 1946,' at MoMA, foretold our current moment of brute power and addiction to spectacle. - Washington Post
The New Yorker - 5 January 2015 PDF, PDF
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