God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and America's Pathological Obsession with Fame • Cinephilia & Beyond

By Tim Pelan In this age of television wannabes and quick fix celebs, it is fitting to look back at The King of Comedy, Martin Scorsese’s dark comedy of squirming embarrassment—a prescient examination of the modern age’s obsession with fame, and a film he himself acknowledges as a sequel of sorts to Taxi

Film Quarterly

God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and

God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and

VOLUME 25 - NUMBER 04 JULY-AUGUST 1989 - Film-Warners-Time

God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and

Los Angeles: Twentieth Century-Fox, 1982. Vintage black-and-white studio still photograph from the 1983 film. In this black-comedy a delusional

The King of Comedy by Martin Scorsese, Paul D. Zimmerman, Jerry Lewis Robert on Royal Books

God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and

Scifi film freedonia

Director B-Side: Martin Scorsese and 'The King of Comedy - mxdwn

VOLUME 25 - NUMBER 04 JULY-AUGUST 1989 - Film-Warners-Time

God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and

The King of Comedy.docx - 1 Lynch Caroline Lynch Forleo

On Scorsese and “The Last Temptation of Travis Bickle” - Beyond